Interview: Chinese cinema should root in its rich cultural heritage

In order to attract international viewers and snatch a place in the world's main film festivals, Chinese cinema should draw its inspiration from its cultural heritage and rich civilization, said Gao Xixi, a Chinese filmmaker in Cannes.

In an exclusive interview with Xinhua at the 69th Cannes Film Festival, Gao noted that Chinese films must develop an artistic specificity that could be appreciated internationally and attract viewers outside its borders.

Gao expressed hope that "one day, the Chinese filmmakers will make films of high artistic value, as China has such a rich and profound civilization." The Chinese director serves as a member of Vulcan Artist jury of Cannes Film Festival that awards technicians' roles in creating cinematographic work.

Gao did admit a gap in film techniques between China, the United States and Europe, while stressing that "the cinematographic technique has had impressive growth in recent years in China, and the use of technology becomes more and more frequent."

According to him, movie techniques provide better audio-visual effects and can attract more viewers. But without a good story, a film cannot succeed.

"In recent years, Chinese films have embarked on the journey of international cooperation. Chinese films will progress if filmmakers have a positive attitude," Gao added, citing as example the movie "The Game Changer" as an example of global cooperation.

"I work with U.S., Polish, and a lot of foreign colleagues. Exchanging experiences with foreign professionals always gives me inspiration," Gao said.

In addition, the director revealed he would make an art film called "Ren Zui Shu," with which he hoped to compete for next year's prizes of Cannes Film Festival. There are no Chinese films at the festival this year.

The renowned 53-year-old Chinese filmmaker directed the new version of the series "Three Kingdoms" in 2010 and the film "For Love or Money" in 2014. Endit